Monday, June 29, 2009

John Harper-- edits

John:
Adrian Deep hated being planetside, but you couldn’t fly the fringe without cargo.
The barkeep slid the unbranded beer forward. “Enjoy.”
The beer looked black. Bland and bitter, but cold and wet. He took another sip and studied the patrons of the port tavern. Men sung out of tune to a scratchy three-dee unit. Laughter roared from the rear booths. A game of poker broke into a fight, and just as quickly died down.
Deep grimaced. People. Jobs would be so much easier if he didn’t have to actually meet clients.



Must say once more. This is not a critique of an opening, just how I'd edit a few lines. Everyone okay with that? This is just an exercise about editing, not selling, etc.
Adrian Deep hated being planetside, but you couldn’t fly the fringe without cargo.

Okay. Alien terms, but understandable. "Fly the fringe"-- I'd just experiment and make sure that's exactly what you want-- fly TO the fringe, fly ACROSS the fringe-- make sure it's not better with a preposition. I don't know, but that word might provide a bit more info.
The barkeep slid the unbranded beer forward. “Enjoy.”
Suddenly we're in a pub? Need some reference to that in the first sentence, I think. What does getting cargo have to do with his being in this bar? I can think of a few things-- like he's arranged to meet someone there-- but maybe actually say so? Like
couldn’t fly the fringe without cargo, and he could arrange a cargo here in this dive.
Or whatever-- I don't know, but I really don't like just jamming from line 1 to suddenly having a barkeep in there. Can you, in a word or two, establish setting before bringing in the second character? It won't take much-- just a quick reference to meeting a customer in this bar. Then the barkeep slid the beer forward, etc.

The beer looked black. Bland and bitter, but cold and wet. He took another sip and studied the patrons of the port tavern.

Okay. Minor point only-- "sip" seems sort of poncey. That's all. :) Also if you mention that this is the port tavern (as I hope you will) before the barkeep line, say something more here-- don't just repeat. Expand. Maybe "the crowded tavern" or "the dirty tavern" if you use "port" earlier.

Men sung out of tune to a scratchy three-dee unit. Laughter roared from the rear booths. A game of poker broke into a fight, and just as quickly died down.

This is okay. Just a list, nothing about him, but it's an okay list. Maybe if you had him lean back against the bar before he does the survey, something more active and physical on his part, also keeping the focus on him. That might individualize the list a little, filtering this through him, but also giving us an idea of how he thinks (because we'll get that this is what he sees and thinks as he sees).
A game of poker broke into a fight, and just as quickly died down.

What quickly died down? Notice that you have ONE SUBJECT for both predicates, and that is the "game of poker". If you want to make clear that the fight is what's dying down, say so: A fight broke out in a game of poker, and just as quickly died down.
or
A game of poker broke into a fight, and just as quickly the ruckus (or other synonym for "fight," or just repeat "fight" -- that might give nice rhythm) died down.

Deep grimaced. People. Jobs would be so much easier if he didn’t have to actually meet clients.

Okay, this doesn't really connect. First, there's nothing about the list that shows real contempt for people-- they're singing and laughing and, yeah, there's a fight, but it quickly peters out. Can you make the list more contemptuous? What does Adrian hate about people? Show that. If he hates laughter and singing, use more nasty terms, I don't know, cackling and caterwauling? Maybe too intense, but how would he say it, if he is looking at this scene and feeling scorn?
Jobs would be so much easier if he didn’t have to actually meet clients.

This would connect better if you had something about client before, like him looking around for the client and seeing the guys singing, laughing, etc. It doesn't take much to set up for these connections, but if you don't put them in there, the reader might find the paragraph a little bumpy.

Or has he come here not to meet clients but to market to these patrons? If he's actually here to GET clients, "meet" isn't a good word, as it has the meaning (which I thought you were doing) of meeting a pre-existing client, rather than getting new clients.

So see if you can connect Adrian closer to the bar-- clarify his purpose, his attitude?
Alicia

3 comments:

B.E. Sanderson said...

The barkeep slid the unbranded beer forward. “Enjoy.”
The beer looked black. Bland and bitter, but cold and wet.


I don't know if you were going for this much alliteration, but I got hung up in all the Bs.

John Harper said...

Hey Alicia, thanks for looking at this for me. I didn't think i'd get a show being at the bottom of the list :)

All very good points and after you mention them all look quite obvious.

Thanks again, and Sanderson: No, wasn't intentionally alliterating, but I think i do it subconsciously quite a lot.

-John

Jue Lee said...

Hi,

Alicia didn't mention it, but I would fix that first fragment. "Bland and bitter, but cold and wet." It looks like maybe he just thinks that's how it would taste, but doesn't actually touch the mug.

Show me he actually tasted it. "It tasted bland and bitter, but cold and wet." Then it's not a surprise when he takes "another" sip.

-- Jue Lee